How the airport came to embody our national psychosis

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In 1962, New York’s Idlewild Airport inaugurated Eero Saarinen’s TWA Flight Center, a swooping concrete-and-glass icon of jet-age glamor. The building incarnated an idea of air travel’s allure that lingered like a contrail in the national imagination. In his 2015 book The End of Airports, Christopher Schaberg diagnosed the end of an idea: “The end of airports as romantic places; the end of airports as sites of excitement; the end of airports as apexes of travel culture. The end of airports means the end of our ability to appreciate airports, to inhabit them as dynamic, fascinating, forward-looking spaces.” In his latest book, Airportness, he has turned darker still: “It is a miserable place—you can see it on everybody’s face.” More at Slate.

A decent read.

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